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If this strikes you as a fairly mystifying exchange—well, this is the literary mode of Harold Bloom. As originally laid out in his 1973 book, The Anxiety of Influence: A Theory of Poetry, “influence” for Bloom is the water in which all great writers—but especially poets—are forever swimming. To become a serious author of any real enduring merit, one must necessarily take on certain literary precursors, writers who have spurred one to write for oneself. But for Bloom this is no simple craft tradition, passed down benevolently from generation to generation. For Bloom, what begins as literary inspiration ends up as sublimated agon, as endless conflict, manifesting in the work as the buried tensions of an intergenerational competition for literary immortality.
，这一点在新收录的资料中也有详细论述
Силовые структуры。新收录的资料对此有专业解读
Фото: Ilya Moskovets / URA.RU / Globallookpress.com。业内人士推荐新收录的资料作为进阶阅读