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Chris joined Mercor last year, after a difficult few months struggling to find film work. Unlike many people who suspect they’re casualties of automation, he knew for certain that this was the case. He’d had a recurring job drafting episodes for an unscripted television show — doing preinterviews, sketching scenes, writing the reality TV equivalent of a screenplay. But in late 2024, he was told the show would be running on a “skeleton crew” and his work was no longer needed. He found out later the company was using ChatGPT to draft new episodes. So that October, when Chris received an offer to write an entire sci-fi screenplay for a major AI company, he said “yes,” grim as the prospect was. Since then, he has gone from gig to gig. “This is my only source of income right now,” he says. “I know people who are award-winning producers and directors, and they’re not advertising that they’re doing this work, but that’s how they’re putting food on the table.”
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